Born New York City, NY, 1980 / BFA, The School of the Art Institute of Chicago / Lives in Detroit
When you’re playing bass in a Bikini Kill cover band in high school, you need the right outfits to complete the sound. Amy Fisher Price didn’t know where to buy matching leopard-skin fits for the band, so she made them herself. Since that punk rock origin story, the sewing machine has never been far from her side. It’s an attitude and ethos that runs throughout her work to this day.
Born Pontiac, MI, 1992 / BA, Oakland University / Lives in Oak Park, MI
“We are a collection of all our experiences,” says digital artist Frank Lepkowski. “Online, an algorithm determines what you’re shown, which influences your worldview and the choices you make. It’s a cycle.” Lepkowski’s artistic practice bridges our web-based and IRL experiences as he crafts physical artifacts through machine-mediated processes.
Born Gallup, NM, 1990 / BA The Evergreen State College, Wa / Lives in Detroit
In the hours that transition from sun to moon, Olivia Guterson’s artistic persona, Midnight Olive, emerges. For this interdisciplinary artist, the night welcomes freedom to be in conversation with herself and to respond to the observations and questions conjured throughout the day.
Born Dallas, Texas, 1988 / BA, Western Michigan University / Lives in Detroit
“Sometimes I wonder if my work is really about performance,” Kayla Powers confides, offhandedly. It is a strange conjecture from an artist whose primary medium is weaving. Still, it makes sense when you realize how deeply intertwined Powers’s art is with her desire to model a particular type of relationship to the world.
Power’s work is determinedly local. She sources regionally grown fibers, and, crucially, she has developed the knowledge to create natural dyes from plants that she grows and forages in Detroit. Powers has learned these skills through a lengthy process of research and experimentation. Still, she is generous in making them available to others through workshops and how-to articles on her website. As she says, “being a good community member is important to me.”
Born Ypsilanti, MI,1990 / BFA Eastern Michigan University; MFA Cranbrook Academy of Art / Lives in Ypsilanti
To enter the photography of Ricky Weaver, first, take a breath. Hold it. Feel it. Float with it. Exhale.
This instruction steadies you for the type of meditation experienced when observing Weaver’s quiet but complex image-making. There’s a spiritual essence felt as the artist unpacks concepts of time, identity and lineage through photographs that pay homage to Black women who have come before, are with her today, and are of the next generation. Stylistically, her salute to them comes by way of the gold trim that frames each image (a tribute to her late grandmother’s black and gold-framed bedroom set) and quoted titles of her images, because, as the artist says of her work, “This is collective; it’s not just me.”
Born Ann Arbor, MI, 1987 / BFA & MFA, Wayne State University / Lives in Highland Park, MI
Jessica Wildman Katz has been working on windows. During the pandemic, she and her husband have slowly been renovating the 54-acre Brownstown Township farmstead that has been in her husband’s family for generations. Katz has been constructing frames and screens for the window openings in the loft of an old garage, where she plans to dry the lavender that grows on the property. It’s been an iterative process and not at all unlike the way she approaches her artwork—foregrounding material, experimenting with form, fusing utility and history.
Katz’s most recent project, Things Being Felt (2018-19), began with an epiphany. While looking at a stack of Metro cards from an unhappy year-and-a-half living in New York, Katz finally recognized a use for a collection of wool roving she’d amassed: she would felt the cards. The project grew to include a multitude of items representing fraught experiences in Katz’s life—the types of memories many of us try to forget, but which are, ultimately, the bedrock of being human. The items are also preposterously unfeltable: strappy shoes similar to a pair she once attempted to steal from her sister, a bra reminiscent of a bikini top that she stuffed as a teenager and inadvisably wore swimming, a copper rose gifted by a borderline stalker.
Born Chicago, IL, 1984/BA, Western
Illinois University, Macomb, IL/MFA, University of
Wisconsin-Madison/Lives in Detroit
Decisively and colorfully, Tyanna Buie contends that “getting out of the storm” of an overwrought psyche and easing into a calm demeanor is a crucial prerequisite for conceiving rich, reverberant art. She observes as well, “My art is much louder than I am,” metaphorically describing her inclination to work on a muralistic scale, of limning larger than life figures, and of rendering complex, multilayered images. In response to the troubled, sundered families (her own, and one senses, untold numbers of others) who are often her subjects, such tactics and an exploratory mindset beget deep-seated emotions, ranging from bittersweet to extremes of joy and anguish.
Born Detroit, MI, 1955 / DFA (ad honorem), College for Creative Studies / Lives in Detroit
It’s all about YOU.
In his book Free Schools, Free Minds, Ron Miller describes two ways to imagine the relationship between radical education and social change: the first (exemplified by A.S. Neill) says that if you liberate the mind of the individual they will go on to change society, and the second (exemplified by Paulo Freire) says that you change individuals by working collectively on projects to change society. But in Tyree Guyton’s Heidelberg Project, it’s all about YOU – first discover who you really are, and then go on to change the world.
Born Kansas City, MO 1981 / BFA, Kansas City Art Institute; MFA, Cranbrook / Lives in Detroit
Andrew Thompson considers art to be his “life organizing principle.” It is, for example, how he researches topics that interest him, how he collaborates with people he likes, how he remains untroubled by the question of what to do with surplus funds, and even how he investigates traumatic events from his past. Thompson believes there is no inherent meaning in life, and hence we must all create meaning for ourselves and those around us. It is a philosophy that propels him along a creative path of his own design, free from the careerist moves often considered essential in the game of being an artist. Continue reading
Born Grand Rapids, Michigan, 1971/BA, Wheaton College, Illinois; BFA, University of Colorado at Denver; MFA, Cranbrook Academy of Art/Lives in Bloomfield Hills, Michigan
Marcelyn Bennett-Carpenter would like for you, the viewer, to be involved. Engagement with her work, ideally, goes beyond aesthetic appreciation; her pieces are designed for physical interaction: wearing, blowing, navigating, and especially stretching. Tension is the fundamental quality of weaving; as a fiber artist, accomplished weaver, and instructor at Cranbrook’s Kingswood Weaving and Fiber Art Studio, Bennett-Carpenter’s work is fraught with a baseline tension that is belied at first blush by soft palettes and inviting surfaces.
Born Battle Creek, MI, 1979 / BA, University of Michigan; MFA, Cranbrook Academy of Art / Lives in Detroit
Megan Heeres’s Invasive Paper Project is, in principle, quite simple: participants take vegetable matter from invasive plants, such as Phragmites, Honeysuckle, and Garlic Mustard, and use it to create paper. Continue reading
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