Born Chicago, IL, 1984/BA, Western
Illinois University, Macomb, IL/MFA, University of
Wisconsin-Madison/Lives in Detroit
Decisively and colorfully, Tyanna Buie contends that “getting out of the storm” of an overwrought psyche and easing into a calm demeanor is a crucial prerequisite for conceiving rich, reverberant art. She observes as well, “My art is much louder than I am,” metaphorically describing her inclination to work on a muralistic scale, of limning larger than life figures, and of rendering complex, multilayered images. In response to the troubled, sundered families (her own, and one senses, untold numbers of others) who are often her subjects, such tactics and an exploratory mindset beget deep-seated emotions, ranging from bittersweet to extremes of joy and anguish.
Born New Haven, CT, 1977 / BA, University of Chicago / Ed. M, Harvard Graduate School of Education / MFA, Cranbrook Academy of Art / Lives in Detroit
Prints, performances, drawings and zines: Emmy Bright’s work emerges from an organic process of notational delirium. Post-It notes fan out and curl, bridged by scribbled lines, insistent arrows, underlining, highlighting, and circled text fragments—thoughts redacted and reclaimed. The smell of a Sharpie lingers. A palimpsest of equations forms. Pages are taped together to expand space for addenda. Much of Bright’s imagery begins as something she terms “stupids”—diagrammatic jottings that employ slapdash methodology to disrupt normative thinking and jumpstart philosophical inquiry. For her, profundity can reside beneath that which we dismiss as idiocy. When examined, a moment of stupidity may reveal latent, meaningful instincts. With humorous schemata that collide the rational and the irrational, Bright fleshes out the absurdity of the behavioral structures we rely upon to govern our relationships with ourselves and one another.
Born Detroit, MI, 1952/Art studies at Wayne State University, Detroit/Lives in Hazel Park, MI
James Puntigam’s artwork has come a long way since 1986, when he quit his job at the Michigan Department of Social Services, obtained a city vendor’s license, and began making money drawing caricatures in downtown Detroit during events at Hart Plaza and the Eastern Market. Though he might still do the occasional caricature, his main work now is in making linocut prints. His extensive experience over the years has included drawing with graphite on paper, and painting with acrylics on canvas, sheetrock, board, and other surfaces. Continue reading
Born Detroit, 1974 / BFA, Wayne State University; MFA, University of Iowa / Lives in Detroit
The artwork of Ryan Standfest is a wild collection of materials, media, and processes. He produces comics, performances, etchings, sculptural objects, videos, artist books, animations, art criticism, installations, short stories, and more. Trained as a printmaker, this early commitment reveals his deep interest in a socially distributed art, art that is multiple in its nature, non-elitist in its availability. The old high/low art dichotomy is irrelevant to him—a recently reworked video, The Dirt Eater (2007, 2018), for example, has a soundtrack that moves from the kitsch of Irving Berlin to the esoteric tonalities of Krzysztof Penderecki. He ignores the easy categories of traditional practices, and his Rotland Press, curatorial activities, and writing merge seamlessly with his production of more traditionally identified visual art forms, like linocuts or installations.
Born Bryn Mawr, Pa, 1980 / BFA, Rhode Island School of Design; MArch, Cranbrook Academy of Art / Lives in Hamtramck
Art, it’s been said, is often about taking something small, and making a really big deal out of it. For Jessica Frelinghuysen, that initial seed is the minutiae of social interaction – the tiny events that individually are of little consequence, but that collectively make up the fabric of any society. Continue reading
Born Chicago, IL 1975 / BA Hampshire College; MFA University of Michigan, Ann Arbor / Lives in Hamtramck, Michigan
Printmaker Toby Millman is not one to talk unless you are listening. Her presence, like her work, is often quite understated, indicating not a lack of depth, but confidence in what you will find when you take the time to notice. One thing you will find is a body of work that interjects quiet reflection into scenes of active conflict— Continue reading