Born Detroit, MI, 1952/Art studies at Wayne State University, Detroit/Lives in Hazel Park, MI
James Puntigam’s artwork has come a long way since 1986, when he quit his job at the Michigan Department of Social Services, obtained a city vendor’s license, and began making money drawing caricatures in downtown Detroit during events at Hart Plaza and the Eastern Market. Though he might still do the occasional caricature, his main work now is in making linocut prints. His extensive experience over the years has included drawing with graphite on paper, and painting with acrylics on canvas, sheetrock, board, and other surfaces. Continue reading →
Born Detroit, MI, 1949 / A.A. Henry Ford Community College, Dearborn; Coursework in Ceramics, Wayne State University, Detroit / Lives in Hazel Park, MI
Lines! It all started with lines for Detroit artist Diana Alva. Before she could recite the alphabet, Alva’s artistic-minded father, Julian, had her filling page after page with lines, any kind of lines, whether or not they made sense or were part of a coherent drawing, just to get her used to the feel of a drawing instrument in her hand and the mental process of creating something. Continue reading →
Born Detroit, 1953 / BA, University of Detroit / Lives in Detroit
Where do you begin with Maurice Greenia, Jr., aka Maugré? This painter, sculptor, blogger, actor, musician, cartoonist, pamphleteer, puppeteer and all-around walking art project is a bundle of creative energy focused through a lens likely ground in some dimension far, far away but somehow reflecting so much of our world.
His prolific works in watercolor, acrylic, oil, and pen and ink, such as View of a World (2007), create in viewers the irresistible urge to consider how, under what circumstances, the strange and colorful figures prancing across a strange and fantastical landscape could make sense. Look at one of his estimated 10,000 (!) drawings or his pieces hanging in a gallery exhibit, such as the huge section of Detroit’s Museum of Contemporary Art given to Greenia in a 2008 show there. Some will jump out and resonate for reasons that may immediately call to mind something of personal significance. Others may resonate for reasons that may not become clear for a long time, if ever, yet they will continue to compel and intrigue.
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Gary Freeman has long enjoyed the output of local Detroit artists and the galleries that show them. He has written for English-language news publications in Thailand, appeared in and helped produce local low-budget indie flicks such as After the Blood Rush and The Amazing Cynicalman, has written a satirical novel on the funeral industry as well as numerous short stories and “minicomics,” the latter of which he encourages everyone, especially kids, to do because everyone encounters something interesting or funny every day and everyone can draw well enough for a minicomic.