Born 1992, Udaipur, India / BFA, American University in Dubai, UAE / MFA, Cranbrook Academy of Art / Lives in Madison Heights, MI
Detroit-based multimedia artist Jetshri Bhadviya is profoundly concerned with technique. She’s lived much of her life steeped in it; entering her studio, you’re confronted by exquisite prints of her photographic work, crystalline recordings of her expansive, layered sound pieces, and (perhaps surprisingly, since she tends not to exhibit them) rows of well-executed oil paintings. Bhadviya grew up studying Kathak, a form of classical Indian dance. She is an avid student of history, religion, science, and gender. She is fluent in Hindi and English, and has studied Sanskrit.
But from this vast, rich education, Bhadviya has arrived at an understanding of technique’s dead end. Just as she’s hopped continents in pursuit of higher education and career, so has she sought to transcend the foundations of technical mastery to create a language, a practice, that is entirely hers. Bhadviya arranges archives of everyday sounds into staggering sonic maps, meticulously arranges signs in her still images to awaken ideas about gender, identity and place while uncannily canceling them out, and cloaks herself in swaths of confining fabrics for her performance work, crafting a balance between sophisticated and primordial, sensual and asexual, observant and blind.
Born Huntsville, AL, 1976 / BA, Vassar College / MFA, Rhode Island School of Design
A photograph is a powerful object—it carries the assumption of truth like no form of image-making ever has. Like the bards of old, it confirms our truth by telling and re-telling our stories. Like the ancient myths those bards repeated, photographs carry hidden messages that draw difficult, paradoxical truths out of our shadows.
The photographic work of Millee Tibbs examines the dark reflection of such fairy tale tropes as girlish innocence, wild landscape, and unicorns. Identity, memory and place are, in Tibbs’ images, composed not of real truths or events but of images that stand in for, and claim to be evident of, those truths and events that define our worldview. Tibbs’ work argues that the images we turn to for nostalgia, grounding, and beauty index times and places that, in fact, never truly existed—or at least, not as we, aided by the breadcrumb trail of documentary images, recall them.
Born Bridgeport, Connecticut, 1980 / BFA Virginia Commonwealth University, MFA Cranbrook Academy of Art / Lives in Hamtramck, Michigan
It is a foundational concern of Shanna Merola’s that all of her work be firmly embedded in its historical context. Observance and urgent communication of moments of injustice are the center of her personal, professional, and artistic life. Continue reading
Clara DeGalan was born and raised in Detroit, MI, where she attended the Detroit High School for the Fine and Performing Arts. She has an MFA in painting from Wayne State University and teaches drawing and painting at Madonna University. Her current work, which seeks to define a spiritual path through life guided by synesthetic connections, the technical lacework of teaching, New Age literature and imagery, and the beauty of the visible world, has been widely exhibited. She has curated several shows, most recently Water Sacred at Detroit’s Scarab Club.