Born Clemson, South Carolina, 1924 / Lives in Detroit
“The creative mind continues always to test the parameters of conventional knowledge, forever in pursuit of new vistas. Trying to understand life, death, the totality of existence, and the logic or order that governs our moral being is the forum from which all of my creative offerings extract meaning,” Charles McGee wrote in 1994. It is safe to say that he has lived this thought, since almost 25 years later, he is still pushing his limits as an artist. In so doing, he has changed the face of Detroit, the city he has lived in since childhood and where he has embraced intersecting careers as artist, curator, gallerist, teacher, author, and outspoken critic and champion of art in the city.
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Born Detroit, 1987/MFA, Yale University; BFA, College of Creative Studies/ Lives in Brooklyn, New York
Mario Moore has learned to slow down. His paintings and drawings reflect his personal journey, his evolving understanding of the world, and his desire to spark conversation about the complexities of contemporary society. His powerful and assertive body of work channels narrative painting, social protest art, and traditional approaches to craft, and centers around revealing portraits of family and friends. A more recent series turns introspective, his personal story expressed through nearly-lost techniques and an interest in earlier periods of art that lend richness and sensitivity to his highly detailed compositions. Continue reading →
Born Detroit, 1938 / BFA, College of Creative Studies; MFA, Eastern Michigan University / Lives in Dearborn, MI
Lois Teicher is one of the few women artists anywhere who has built a career around large-scale public sculpture. Even more unusual, she works squarely in a post-minimalist idiom of industrial materials and formal shapes. Most American women sculptors of Teicher’s generation are rightfully celebrated for incorporating the aesthetics of crafts into their sculpture, for introducing new materials, ornamentation, or a sense of working by hand. But Teicher chose a different path; her large-scale, site-specific sculptures look more like Ellsworth Kelly than Magdalena Abakanowicz. For Teicher, feminism gave the artist permission to overcome gender roles to fashion her own definition of what it means to be a sculptor. Over her long career, she has refined her ideas about shape and surface, posited new relationships of sculpture to its surroundings, and hardest of all, overcome the long odds of being a successful woman working in this manner. Finding satisfaction in learning to use industrial tools, as well as working with fabricators, engineers, and installers, she has developed a unique style for large-scale sculpture that emphasizes tension and a suggestion of movement that serves to deny her work’s complexity and weight.
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Born Sharon Querciograssa, Detroit, MI, 1960 / BFA, University of Michigan; Associate, Manufacturing Engineering, Macomb Community College / Lives in Ann Arbor, MI
Works of art communicate in myriad ways: some shout, some whisper, some never shut up. Sharon Que’s constructions seem only to cast meaningful glances, encouraging, cajoling, even daring the viewer to suss out what lies behind them.
These elegant, often playful works seem familiar, as if one had seen them somewhere before. They exude whiffs of history and utility, of alchemy and manufacturing, of harmonies and dissonances. Their references range from surrealist juxtapositions to trompe l’oeil to craft traditions. Que experiments with scale, materials, and varying levels of abstraction to create works that are meditations on objects and systems from the microscopic to the cosmic.
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Born Detroit, 1959 / BFA, Washington University, St. Louis, MO; MA, The University of Iowa, Iowa City, IA; MFA, The University of Michigan School of Art and Design (now Penny W. Stamps School of Art & Design) / Lives in Bloomfield Hills, MI
Conceptual photographer Cynthia Greig admits to being uninterested in the mechanics of photography; rather, she is fascinated by the facts and fictions of the photographic image. She came to photography through studying art history and filmmaking after an undergraduate degree in printmaking, and is a collector and published historian of nineteenth-century photography. Manipulated photographs, such as enhanced scenes of the Civil War and trick portraits of circus performers, hold a particular fascination. Inspired, in part, by these rudimentary red herrings, her own work as a photographer and video artist has centered on photography’s ability to manipulate what we think we see. With sly wit underscoring elegant images, she explores the area between idea and belief, between the physical and the imaginary, between perception and reality.
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MaryAnn Wilkinson is a former head of the Modern and Contemporary Art department at the Detroit Institute of Arts. She subsequently became the Exhibition Director at Taubman College of Architecture and Urban Planning at the University of Michigan, and is currently the Executive Director of Detroit’s Scarab Club. She has written extensively on art, design, and artists, with a particular emphasis on European modern painting, sculpture, and decorative art. She is currently on the board of Midtown Detroit, Inc., and on the steering committee for the (Detroit) Cultural Center Planning Initiative