Tag Archives: Fiber Art

101 Leslie Rogers


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Born 1984, Pittsburgh, PA / BFA, Maryland Institute College of Art; MFA Virginia Commonwealth University / Lives in Detroit

Performance, food, puppetry, sculpture (both soft and hard), video, quilting, agitprop parading, even rima oris theatrics. Enter Leslie Rogers’ work with a premise of play—as verb and noun. A vibrant, animated constellation of unfettered elements run through this diversity of forms: rhythmic, dynamic, and overflowing. Rogers speaks of her work in an intuitive, ambling fashion, imparting an exquisite corpse-like testimony, one anecdote leading into the next and, just when these elements appear leaning off topic, they fall squarely into the work, illuminated.

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77 Susan Aaron-Taylor

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Born Brooklyn, New York, 1947 / BS, Wayne State University; MFA, Cranbrook Academy of Art/ Lives in Pleasant Ridge, MI

In all its darkness, playfulness, mystery and grotesquerie, the work of Susan Aaron-Taylor embodies a search for wholeness through the embrace of contradictions and dichotomies. Over the last five decades, she has explored dualities through bodies of work that mine the realms of dreams and alchemy, sources that also served the fifteenth-century artist Hieronymus Bosch in his famous Garden of Earthly Delights. Both draw on these and other symbolic systems to produce a spiritual cosmogony both terrifying and compelling, imaginative and surreal. But unlike Bosch’s painted allegory of humanity’s fall from grace, Aaron-Taylor’s mixed media sculptures, constructed of materials such as handmade felt, wood, shells, stones, bones, and beads, are more a search for grace. That search dives into the self and its myriad incongruities, a self which does not so much learn to travel from dark to light on its lifelong journey as to incorporate both in the cycle of existence.

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65 Jeanne Bieri

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Born Ann Arbor, MI, 1949 / BA, Western Michigan University, Kalamazoo; MFA, Wayne State University, Detroit / Lives Grosse Pointe Farms, MI

Describing herself as the “compulsive collector that I am,” Jeanne Bieri is, verily, a hunter and gatherer of assorted, throwaway “stuff,” from which she occasionally assembles a one-of-a-kind grouping to render in oil. Other salvaged discards, chiefly textiles, accumulated by her and a cohort of friendly enablers, she restores, mends, sews, repurposes, “heals,” and “makes whole” again. An example of the former, Christmas Lights of 2007, is a veritable compendium of rescued artifacts arrayed, not on a laden table, but sprawled like a frieze almost five feet in width. Suspended, swaged, and push pinned to a wall, back dropped by a dun hued army blanket, the ribbons, bones and skull, Christmas lights, spool of thread, jump rope, and vintage photograph are immobilized by push pins as well as gravity.

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60 Levon Kafafian

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Born New York, NY, 1988 / BA (Anthropology), Wayne State University; BFA, College for Creative Studies / Lives in Detroit

The art of weaving has long inspired metaphors for nothing less than the nature of human existence — from the mythic Fates, literally weaving each individual’s destiny, to Ishmael’s musing in Moby Dick that the “mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm.” The age-old link between weaving and living is of paramount significance to Levon Kafafian, a young artist and teacher for whom this ancient way of making is at the center of a vital, unfolding, multimodal practice — a practice that seeks to connect people more deeply to the natural world, one another, and their own lived experience. Continue reading

49 Marcelyn Bennett-Carpenter

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Born Grand Rapids, Michigan, 1971/BA, Wheaton College, Illinois; BFA, University of Colorado at Denver; MFA, Cranbrook Academy of Art/Lives in Bloomfield Hills, Michigan

Marcelyn Bennett-Carpenter would like for you, the viewer, to be involved. Engagement with her work, ideally, goes beyond aesthetic appreciation; her pieces are designed for physical interaction: wearing, blowing, navigating, and especially stretching. Tension is the fundamental quality of weaving; as a fiber artist, accomplished weaver, and instructor at Cranbrook’s Kingswood Weaving and Fiber Art Studio, Bennett-Carpenter’s work is fraught with a baseline tension that is belied at first blush by soft palettes and inviting surfaces.

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47 Scott Northrup

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Born Dearborn, MI, 1969 / BFA, College for Creative Studies; MA (Media Studies), New School University, New York / Lives in Detroit

Scott Northrup’s recent temporary installation Hämeenkyrö, Mon Amour (2015) was comprised of text projected onto the landscape near the town of Hämeenkyrö, Finland, at sundown. For about thirty minutes, excerpts of scripted dialogue from Alain Resnais’s Hiroshima, Mon Amour and several movies by Finnish filmmaker Aki Kaurismaki, as well as Northrup’s own writing, crawled across the vast, darkening plain in what the artist refers to as a “love letter” to the beautiful, welcoming place he’d come to know after a month-long residency there. Continue reading

45 Carole Harris

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Born Detroit, 1943 / BFA, Wayne State University / Lives in Detroit

Carole Harris modestly describes her art practice as “that of a fiber artist working primarily in the art quilt tradition.” Yet very few of her quilts are “traditional,” four-cornered, or intended to swaddle, wrap, or warm one on a cold winter’s night. Rather, they are wall hangings, even “constructions” or assemblages—albeit crafted of soft, supple materials—often of a strikingly eccentric outline far from the standard rectilinear form.

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44 Addie Langford

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Born Louisville, Kentucky, 1974/BFA, Rhode Island School of Design; MFA, Cranbrook/Lives in Detroit

Four years into an architectural program at RISD, Addie Langford found herself confronting a hard truth: she missed making things. All the theoretical design emphasis in her formal studies could not replace the importance of the hands-on process of creation that had always been a fundamental part of her practice.

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