Born: 1952, Detroit, MI; Studied at Spelman College and Clark College, Masters of Art from Olivet College/ Lives in Romulus, MI
Trading low saturated pastels for eclectic textures of colored paper and acrylic paint, Judy Bowman’s recent bold and often jubilant collages have been years in the making. After a 35-year hiatus from art-making—a period during which she worked as a Detroit Public Schools educator and raised a family of 10—Bowman describes her return to canvas and to documenting the black experience as a “gift from the universe.”
Born Flint, MI, 1988 / BA, University of Michigan; MFA, Cranbrook Academy of Art / Lives in Detroit, MI
Can you grow an apple with an Apple? Can you ever really describe the wind? These are the sort of questions – often at the intersection of culture and agriculture, and at the boundary between the digital and the physical – with which Ash Arder likes to engage. Her investigations are esoteric but allude to something universal. Trained in media studies, Arder uses art, with its essentially undisciplined relationship to knowledge, to explore the world she has been born into.
Born Chicago, IL, 1984/BA, Western
Illinois University, Macomb, IL/MFA, University of
Wisconsin-Madison/Lives in Detroit
Decisively and colorfully, Tyanna Buie contends that “getting out of the storm” of an overwrought psyche and easing into a calm demeanor is a crucial prerequisite for conceiving rich, reverberant art. She observes as well, “My art is much louder than I am,” metaphorically describing her inclination to work on a muralistic scale, of limning larger than life figures, and of rendering complex, multilayered images. In response to the troubled, sundered families (her own, and one senses, untold numbers of others) who are often her subjects, such tactics and an exploratory mindset beget deep-seated emotions, ranging from bittersweet to extremes of joy and anguish.
Born 1986, Saginaw, MI/ BFA University of Michigan; MFA University of Iowa/ Lives in Highland Park, MI
Jennifer Harge is a student of the body — the black body, to be exact.
She lives to make them move, play, and most of all to speak; yes, speak, truth to hard social traumas and silent terror. And do not for a second misread Harge’s intention or vision of dance as an invitation to be entertained. In fact, keep your applause. This dancer turned movement artist, choreographer and educator, is after more – your mind.
Born Detroit, 1967 / BFA, College for Creative Studies, Lives in Detroit
Every artist has an origin story—a tale of becoming.
Some artists remember, as Sabrina Nelson does, “like it was yesterday.” In fact Nelson’s moment dates back to 4th grade—around Valentine’s Day. “The teacher had asked us to draw a heart. So I did and this boy said, ‘You didn’t draw that; girls can’t draw.’” Nelson chuckles, recalling how swiftly she schooled the boy (“I was like, ‘Yes, I can.'”) But the humor in her voice and lightness in her eyes fade as she explains the moment’s imprint. “He really gave me my feminist wings and my artist wings. I’ve been drawing ever since.’’
All these years later, Nelson’s art is far more textured, socially inspired and multidimensional. She is a lover of work that ignites conversation, of muses who defy easy understanding, and she is a proud maker of imperfect figurative drawings and paintings that intentionally call viewers closer.
Born Detroit / BS, Central State University, Wilberforce, OH
Consider the art of Carole Morisseau as a bridge—as an expansive structure made of color, composition, and story that is intended to join differing generations, cultures, ethnicities, and classes.
Morisseau makes art, she says, as an expression of her soul, but accepts that approach to be non-paradigmatic. On a universal level, she sees the role of an artist as one of sharing: of ideas, a story, an aesthetic experience. Hence, the bridge analogy; one has to be willing to step on it and cross to the other side to see, to understand and to learn. As she puts it, “There is always something to learn, something to experience and, therefore, always something to express.”
Born Paramaribo, Suriname, 1975 / BFA, Cooper Union, NYC; MFA, University of Michigan / Lives in Detroit
In her recent practice, Detroit artist Yvette Rock presents a series of self-imposed challenges while vigorously engaging with ideas about media and methodology to tell her visual stories. Her processes seem open to these questions: How does one construct a body of work? Where does it begin? Is it a series of investigations or a more concrete endeavor? Is it a thematic undertaking or an accumulation of disparate art making over time? Rock’s approach encompasses all possibilities. Newly created and found materials have made their way onto her studio work table alongside oil, acrylic, gouache, watercolor, charcoal, graphite, Conté crayon, turpentine, damar varnish, linseed oil, printmaking tools and inks, pastels, gesso, medium, and on and on. Over time Rock has sown a rich inventory of resources from which to venture.
Born Detroit, 1982 / BS, Eastern Michigan University; MFA, Cranbrook Academy of Art / Lives in Detroit
Tiff Massey is an artist whose explanations for her work often defy your overeducated readings. The recurring motifs of head-wearables and hair, for example, are not something the artist relates to Carrie Mae Weems, but rather Massey’s wide-ranging experiences of Detroit. After a few of these negated readings, you learn to keep inferences to yourself, rather than risk being corrected.
Massey wears many of her own pieces. Her Cranbrook Academy training as a metalsmith includes the craft of a fine jeweler. While out at Detroit galleries and in her signature videos for her 2015 Kresge Arts in Detroit fellowship and the Society of North American Goldsmiths, Massey can be seen wearing a large brass ring on her right hand. The ring looks a bit like an architectural model of a skyscraper. The Joe Louis fist and the Renaissance Center skyline—two metonyms for the city of Detroit—now dialogue with each other in my mind
Born Detroit, 1982 / BA, Howard University; MA, University of Chicago; Phd, Wayne State University / Lives in Detroit
Art, ever sociable, is always in conversation with something else. One of artist Maya Stovall’s primary interlocutors is the City—that ever-shifting concatenation of street, sidewalk, and neighborhood; of people, power, and capital. (This conversation started early; Stovall recalls riding her bike to the Detroit Institute of Arts as a child and developing an “obsession” with the street life she encountered along the way.) For the last four years, she has pursued a related obsession, enacting and documenting an ongoing series of sidewalk performances and ethnographic interviews made near the liquor stores that dot her eastside neighborhood, McDougall-Hunt. Stovall, who trained in classical ballet, holds a Master’s degree in Economics and a PhD in Performance Studies and Cultural Anthropology. She approaches the sprawling yet tightly focused Liquor Store Theatre project as a means to ask what she calls “monumental questions” about human existence via “close, rigorous, devoted, durational looking.”
Born Detroit, 1979 / BFA, College for Creative Studies / Lives in Detroit
“I’m not a street artist, but I can paint on anything,” asserts Sydney James, prolific muralist, painter, and illustrator. After graduating from College for Creative Studies in 2001, she forged ahead as designer, art director, and “ghost artist” (for television dramas), at first in Detroit and subsequently in Los Angeles. Reviewing the evolution of her practice up to that point, she recalls, “I was an illustrator, [but] when I took control of the stories, I became a fine artist.” This epiphany coincided with her timely move back to Detroit in late 2011, where she encountered a burgeoning art community and street art stirrings, fueled in part by the Grand River Creative Corridor and Murals in the Market initiatives.