Born Detroit, 1943 / BFA, Wayne State University / Lives in Detroit
Carole Harris modestly describes her art practice as “that of a fiber artist working primarily in the art quilt tradition.” Yet very few of her quilts are “traditional,” four-cornered, or intended to swaddle, wrap, or warm one on a cold winter’s night. Rather, they are wall hangings, even “constructions” or assemblages—albeit crafted of soft, supple materials—often of a strikingly eccentric outline far from the standard rectilinear form.
Born Detroit, 1976 / BFA, Eastern Michigan University / MFA, New York Academy of Art, Graduate School of Figurative Art / Lives in Detroit
Visibility, accessibility, ambitious scale, and industrious zeal are some of the constituent hallmarks of Tylonn Sawyer’s activist art and life. Such attributes are readily apparent in his very public, very large, Detroit-centric Whole Foods Mural of 2013. Drawing upon Marshall Fredericks’ iconic Spirit of Detroit sculpture, Sawyer reinvents Fredericks’ hero as a young, African-American lad with empty palms (freed of Fredericks’ fusty totems of god and family) who, while awaiting new symbols to cross his palms, glances over a colorful, agricultural grid on the left, and a tidy, green, aerial urban view on the right. Continue reading
Born Detroit / BFA, School of the Art Institute of Chicago; MLS University of Detroit / Lives in Detroit
“perchance,” “we two,” “yesterdays,” and “wouldja wouldja” are a few of the words that embellish and echo across Patrick Burton’s richly ornate paintings. Their plaintive and conditional overtones urge a viewer—albeit in low key, lower case font—to wonder: “perchance” what? “we two” who? “wouldja wouldja” do what? Nestled here and there (center top or bottom, lower or upper right) and incised or raised slightly above the surface, these messages are of a piece with the soft, silvery pastels and three dimensional blossoms, hearts, leaves, fronds, and vines that proliferate across Burton’s low relief compositions. Continue reading
Born Manchester, Tennessee, 1952/Studied College for Creative Studies, Detroit/Lives in Detroit, Michigan
“I’ve been a tree-hugger all my life,” recalls S. Kay Young, a long-time venerator of the natural world (and primarily of her Michigan environs). Of Cherokee descent, she describes herself as an “urban Indian” who became enamored of photography from an early age, Continue reading
Born Detroit 1951/BFA Wayne State University; MFA Syracuse University, NY/Lives Royal Oak, Michigan
Soundlessly, without stirring a ripple, a woman glides into view in Jo Powers’ Lake, the painter’s haunting self-portrait of 1993. Garbed in pink and borne on a watery expanse of azure, she drifts, Ophelia-like, calm, composed, and with eyes wide open, all-seeing. Continue reading
Born Seattle Washington, 1928 / BA University of Washington, Seattle, MFA Cranbrook / Lives in West Bloomfield, Michigan
Among the multiple roles Marie Woo has essayed in the course of her career—ceramist, curator, researcher, Asian clay historian, alchemist of glazes, conceptual photographer—one of the most vital was her involvement in the genesis of Clay Ten. Continue reading
Born Detroit, 1964 / BA, University of California at Los Angeles / MFA, University of Michigan / Lives in Ann Arbor, Michigan
To date, Melanie Manos has scrunched into the upper shelves of walk-in closets; inserted her body between exposed wall studs; inhabited the interiors of defunct, doorless refrigerators; squeezed into rolling metal utility cabinets; ducked into niches and crevasses of attics; walked the rafters; clambered up, over, and down interior walls; climbed the exteriors of multistoried buildings; and, most recently, shinnied into the upper reaches of gigundo, sequoia-sized tree trunks. A number of Manos’s intrepid feats have been achieved digitally or on video and, surprisingly perhaps, beget as potent a reflexive audience reaction—fear, unease, release—as her literal, physical performances. She is indeed the consummate interdisciplinary artist who works in performance, digital media, and installation, exhibiting not only nationally but internationally.