Born Huntsville, AL, 1976 / BA, Vassar College / MFA, Rhode Island Institute of Design
A photograph is a powerful object—it carries the assumption of truth like no form of image-making ever has. Like the bards of old, it confirms our truth by telling and re-telling our stories. Like the ancient myths those bards repeated, photographs carry hidden messages that draw difficult, paradoxical truths out of our shadows.
The photographic work of Millee Tibbs examines the dark reflection of such fairy tale tropes as girlish innocence, wild landscape, and unicorns. Identity, memory and place are, in Tibbs’ images, composed not of real truths or events but of images that stand in for, and claim to be evident of, those truths and events that define our worldview. Tibbs’ work argues that the images we turn to for nostalgia, grounding, and beauty index times and places that, in fact, never truly existed—or at least, not as we, aided by the breadcrumb trail of documentary images, recall them.