Born Sharon Querciograssa, Detroit, MI, 1960 / BFA, University of Michigan; Associate, Manufacturing Engineering, Macomb Community College / Lives in Ann Arbor, MI
Works of art communicate in myriad ways: some shout, some whisper, some never shut up. Sharon Que’s constructions seem only to cast meaningful glances, encouraging, cajoling, even daring the viewer to suss out what lies behind them.
These elegant, often playful works seem familiar, as if one had seen them somewhere before. They exude whiffs of history and utility, of alchemy and manufacturing, of harmonies and dissonances. Their references range from surrealist juxtapositions to trompe l’oeil to craft traditions. Que experiments with scale, materials, and varying levels of abstraction to create works that are meditations on objects and systems from the microscopic to the cosmic.
Born Detroit, 1959 / BFA, Washington University, St. Louis, MO; MA, The University of Iowa, Iowa City, IA; MFA, The University of Michigan School of Art and Design (now Penny W. Stamps School of Art & Design) / Lives in Bloomfield Hills, MI
Conceptual photographer Cynthia Greig admits to being uninterested in the mechanics of photography; rather, she is fascinated by the facts and fictions of the photographic image. She came to photography through studying art history and filmmaking after an undergraduate degree in printmaking, and is a collector and published historian of nineteenth-century photography. Manipulated photographs, such as enhanced scenes of the Civil War and trick portraits of circus performers, hold a particular fascination. Inspired, in part, by these rudimentary red herrings, her own work as a photographer and video artist has centered on photography’s ability to manipulate what we think we see. With sly wit underscoring elegant images, she explores the area between idea and belief, between the physical and the imaginary, between perception and reality.