Born Lansing, MI, 1959 / BA, Hope College, Holland, MI / MFA, Cranbrook Academy of Art, Bloomfield Hills, MI / Lives in Farmington Hills, MI
Todd Erickson’s recent sculptures, the “River Series” of 2009-2016, treat the eye to a richly inventive array of looping, interlacing ovals and circles. Each sinuous variant, however, also harbors singular details and idiosyncratic extrusions that further animate these “bronze rivers.” They range from an occasional thickening of the slender, linear outlines to projecting “growths,” intent, it seems, on springing free of the governing rings and hoops. Cast in bronze from branches and twigs gathered by the artist, these restless rivers twist and turn, swerve and whipsaw as the eye flows around their final form.
Born Chicago, IL, 1940 / Lives in Detroit
David Philpot is an antenna, finely tuned to subtle frequencies. He listens carefully, receiving transmissions from as far away as West Africa, and from as nearby as God or the wood in his hands. His primary medium, fittingly, is the staff, an energizing rod that joins the earth to the sky via the human being who wields it.
Long before he ever considered himself an artist, the 30-year-old Philpot heard a voice call his name, leading him, amazed, to an oasis: a grove of trees in a Chicago housing project. A week later, Philpot, who had never abandoned his childhood habit of gathering and carrying sticks, and who had recently admired Charlton Heston’s staff in The Ten Commandments, woke in the night with a mission: to chop down one of those trees, and make from it a staff of his own. When it was done, he called it Genesis (1971), an apt title for the first of more than 350 staffs he has made in the 45 years since.
Born Dearborn, MI, 1969 / BFA, College for Creative Studies; MA (Media Studies), New School University, New York / Lives in Detroit
Scott Northrup’s recent temporary installation Hämeenkyrö, Mon Amour (2015) was comprised of text projected onto the landscape near the town of Hämeenkyrö, Finland, at sundown. For about thirty minutes, excerpts of scripted dialogue from Alain Resnais’s Hiroshima, Mon Amour and several movies by Finnish filmmaker Aki Kaurismaki, as well as Northrup’s own writing, crawled across the vast, darkening plain in what the artist refers to as a “love letter” to the beautiful, welcoming place he’d come to know after a month-long residency there. Continue reading
Born Detroit, 1943 / BFA, Wayne State University / Lives in Detroit
Carole Harris modestly describes her art practice as “that of a fiber artist working primarily in the art quilt tradition.” Yet very few of her quilts are “traditional,” four-cornered, or intended to swaddle, wrap, or warm one on a cold winter’s night. Rather, they are wall hangings, even “constructions” or assemblages—albeit crafted of soft, supple materials—often of a strikingly eccentric outline far from the standard rectilinear form.
Born Royal Oak, MI, 1970 / Lives in Hamtramck, MI
On the once blighted northwest border of Hamtramck stands a well-lit building with a geometric pattern painted on its facade. This is Popps Packing. Graem Whyte and his wife, artist Faina Lerman, built Popps together. There is art in this building, and arguably Popps itself is an artistic undertaking. Since 2009, Whyte and Lerman have invested themselves in programming gallery events. They’ve built a sculpture garden and created a residency program, and they continue to activate their section of town by facilitating the work of artists from Detroit and overseas. This is about community. This is where Graem Whyte’s work is rooted. Continue reading
Born Detroit, 1976 / BFA, Eastern Michigan University / MFA, New York Academy of Art, Graduate School of Figurative Art / Lives in Detroit
Visibility, accessibility, ambitious scale, and industrious zeal are some of the constituent hallmarks of Tylonn Sawyer’s activist art and life. Such attributes are readily apparent in his very public, very large, Detroit-centric Whole Foods Mural of 2013. Drawing upon Marshall Fredericks’ iconic Spirit of Detroit sculpture, Sawyer reinvents Fredericks’ hero as a young, African-American lad with empty palms (freed of Fredericks’ fusty totems of god and family) who, while awaiting new symbols to cross his palms, glances over a colorful, agricultural grid on the left, and a tidy, green, aerial urban view on the right. Continue reading
Born Indianapolis, Indiana, 1970 / BFA, College for Creatives Studies / Lives in Detroit
The Oasis Motel, a meticulous 2008 depiction of a shuttered motor lodge arrayed beneath a sky bruised by an inky, foreboding blackness, marks Adam Lee Miller’s return to painting after a nearly decade-long hiatus. The intervening years were all but consumed by ADULT., the electro band that he and his wife Nicola Kuperus formed in the late ’90s that catapulted them to the forefront of a thriving, transatlantic underground music scene. Continue reading