Born Gottingen, Germany, 1965 / Graduate degree from Gerrit Rietveld Academie, Amsterdam/ Lives in Bloomfield Hills, Michigan
Both comical and strangely melancholic, two small wooden house shapes attached to a wall are topped, incongruously, by sand bags with patches of wooly embroidery. They make an odd couple, like Oscar and Felix: alike yet unalike, dissonant and consonant, together yet separate. At once amusing and serious, they convey a searching spirit that permeates Iris Eichenberg’s work, which often meditates on making home and finding our place in the world. Related in some way to the body, her constructions produce sensorial and emotional effects that stretch conventional boundaries to explore structures of feeling.
Born Brooklyn, New York, 1947 / BS, Wayne State University; MFA, Cranbrook Academy of Art/ Lives in Pleasant Ridge, MI
In all its darkness, playfulness, mystery and grotesquerie, the work of Susan Aaron-Taylor embodies a search for wholeness through the embrace of contradictions and dichotomies. Over the last five decades, she has explored dualities through bodies of work that mine the realms of dreams and alchemy, sources that also served the fifteenth-century artist Hieronymus Bosch in his famous Garden of Earthly Delights. Both draw on these and other symbolic systems to produce a spiritual cosmogony both terrifying and compelling, imaginative and surreal. But unlike Bosch’s painted allegory of humanity’s fall from grace, Aaron-Taylor’s mixed media sculptures, constructed of materials such as handmade felt, wood, shells, stones, bones, and beads, are more a search for grace. That search dives into the self and its myriad incongruities, a self which does not so much learn to travel from dark to light on its lifelong journey as to incorporate both in the cycle of existence.
Dora Apel is a cultural critic, arts writer, and art historian who has written about traumatic imagery and memory, race and ethnicity, gender and sexuality, cities and ruins. She is the author of six books, including Beautiful Terrible Ruins: Detroit and the Anxiety of Decline (2015) and Calling Memory into Place (fall 2020).She is the W. Hawkins Ferry Endowed Chair Professor Emerita of Modern and Contemporary Art History in the Department of Art and Art History at Wayne State University.