Read first:

The Detroit Art Ecosystem Part I
The Detroit Art Ecosystem Part II: Funders, institutions, and decision makers

In Part II of this report, we used network analysis techniques to identify the individuals, families, and organizations that collectively determine how art and culture resources are allocated within the Detroit art ecosystem. We then identified systematic forms of network bias and used these to determine opportunities for increasing the impact of art and culture funding.

See also The Detroit Art Ecosystem Part I

Introduction

Previous research has shown that the 15 largest cultural institutions in Metropolitan Detroit (by annual revenue) make up over 80% of the art and culture not-for-profit economy, whereas only 2% of funding goes to grassroots organizations and individual cultural producers, a situation that is neither equitable nor likely to lead to a healthy art and culture ecosystem. In addition, previous research has shown spatial disparities in funding, with over half of art and culture funding in Metropolitan Detroit going to Detroit’s downtown (“Woodward Corridor”), as opposed to less than 3% going to Detroit’s neighborhoods and only 0.5% going to the entire Macomb County.

As was noted in Part I of this study, the network of funders and decision-makers who distribute art and culture resources is densely linked to large cultural organizations and the development and placemaking ecosystem but has minimal connection to the grassroots “creative network.” This observation of potential “network bias” is consistent with the abovementioned concerns about the inequitable economic and spatial distribution of resources.

How to allocate resources to the Detroit Art Ecosystem in a way that is equitable and produces the most social value should be a central question for anyone tasked with managing their distribution. However, despite its importance, the topic has received little research attention, and consequently, art and culture funding in Detroit has been distributed with little objective basis.

This report analyzes how economic and cultural capital circulates in the Metro Detroit not-for-profit arts and culture ecosystem by analyzing the tax returns of the 50 biggest art and culture nonprofit organizations. It asks questions such as how big is the sector? What % of it comes from philanthropic sources? What does this fund? What are the prevailing investment strategies?

This report provides a RYG scorecard for the first ten years of the DIA Millage (2013-2022). It addresses the impact of the millage on the DIA’s Finances (which we rated GREEN), the DIA’s Performance in converting resources into services and programming (which we rated RED/YELLOW), how effectively the Governance process (through the Art Institute Authorities) has operated (which we rated RED), and how effectively the Service Contract(s) have represented the interests of the residents of the Tri-County region (which we rated RED). Based on this analysis we present seven recommendations for the new Service Contract.

This report examines that the total publicly reported, ongoing philanthropic funding support for arts and culture in Metro Detroit based on an analysis of funding streams. It traces where the money comes from and where it goes, and hence establishes a baseline overview of the pipeline of transparent and repeatable year-over-year funding for arts and culture in the region.

This report describes the ecology and economy of the mural painting ecosystem in Detroit. It includes six case studies of mural painting projects in the city and concludes with a SWOT analysis of the ecosystem. It recognizes, but does not investigate, the economic, social, and ethical issues raised by the relationship between public art and the property market.